À Dessein (Designedly)
1996-1998, Drawings made on the same thick Lanaquarelle paper, with the same size 55 x 76.
- Indian ink, pencil and charcoal, some collages.
- In this numbered suite, the drawings respond to each other and the square shapes open towards ovoid shapes, then close and gradually disappear.
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Was the purpose of Nadine Kohn-Fiszel that of skinning proper to the support of being?
Critical text, by Nicole Gdalia
Was the purpose of Nadine Kohn-Fiszel that of skinning proper to the support of being?
The traces - barely traced - in dry pencil, in pure or diluted ink suggest, more than they mark, the movement, the gesture that arose after the asceticism of the "wou wei".
From the flatness of the line or the curve launched without authorization to repent, it arrives with its collage of rice paper, bis on white, plated or crumpled, in dialogue with the strong or light writing,
round or vertical, to reconnect, with the third dimension which
accompanied his beginnings as a sculptor.
Starting from discipline, from self-restraint, the work of Nadine Kohn-Fiszel calls for seeing, to a receptive meditation posture.
Almost nothing fills the interior of the viewer and puts it in the echo of a path initiated by the artist.
It opens the way from self to self, from self to others.
Some drawings
Private exhibition with one of my collectors. Paris Faubourg Saint-Honoré.
Some drawings
Private exhibition with one of my collectors. Paris Faubourg Saint-Honoré.
